Author: Ursula K. LeGuin
Title: A Wizard of Earthsea
Genre: Fantasy
Publication
Date: 1968
Number of
Pages: 182
Geographical
Setting: The Archipelago, Earthsea (fictional place)
Time Period: NA
Series: The Earthsea Cycle, Book 1
Appeal Terms: Classics, Fantasy
fiction, High fantasy, Flawed, Introspective, World-building,
Atmospheric, Suspenseful, Compelling, Richly
detailed
Plot
Summary:
Sparrowhawk,
whose true name is Ged, is born the youngest child of a bronze smith in the
northern reaches of the world of Earthsea.
Early on Sparrowhawk shows a natural ability for wizardry and works a
fantastic feat of magic that saves his village from armed invaders when only 12
years of age. Later Sparrowhawk is sent
to be educated on the Isle of the Wise and there, in pride and hatred of a
schoolfellow, uses his as yet immature abilities to work a spell that nearly
costs him his life and allows a creature from the land of the dead to cross
over to Earthsea. Through a series of
adventures Sparrowhawk comes to realize he must face the creature or be turned
to its evil will, becoming a force for destruction and death in the world.
LeGuin’s
book exhibits many aspects of the fantasy genre. Central to the story is the power of magic,
which is Saricks’ main defining feature of any fantasy story (2009). This is revealed in the title and even the
first few lines of the book that speak of wizards and magical creatures like
dragons. Beyond that, though, there are
several other aspects found in A Wizard
of Earthsea that root it in the Fantasy tradition.
The book
speaks at length about the idea of balance and equilibrium in the world and
establishes through these discussions the “relational” nature of the story’s
main character, Sparrowhawk, and his magical abilities to everything else in
the world (Saricks, 2009). LeGuin also
gives us a complex character with flaws in Sparrowhawk, but also one that is
assuredly “good” versus other forces that are assuredly “evil,” another
hallmark of Fantasy (Saricks, 2009).
Lastly, LeGuin’s book has an “affirming” ending set in a world that
“never could be,” while supplying details of the setting that “ground the
story” while also “world-building” around a core of magical powers (Saricks,
2009).
Fiction
Read-Alikes:
The Hobbit by J.R.R.
Tolkien
For those
interested in Fantasy Classics, Tolkien’s book, much like LeGuin’s, is a
must-read. Sharing a similar quest-like
story line and appeal factors relating to the Fantasy genre as well as
World-Building, Bilbo Baggins, the reluctant adventurer, serves as a nice
counterpoint to Sparrowhawk, the over-eager young wizard.
Flyte by Angie Sage, Septimus Heap, Book 2
A story of
friendship and danger revolving around the use of magic and the young wizard’s
apprentice, Septimus Heap, Sage’s book shares themes of facing one’s fears and
qualifying oneself for one’s destiny with LeGuin’s book. Flyte also
shares the appeal factors of Fantasy
Fiction, High Fantasy, World-building, and Suspenseful with A Wizard of Earthsea. Though with more of a sense of humor than
LeGuin, Sage’s series promises a long
immersion in a world apart from our own seen from multiple perspectives much
like LeGuin’s Earthsea Cycle.
Harry Potter and the Half-Blood Prince by J.K. Rowling, Harry Potter, Book 6
Another classic of
Fantasy, though more modern, the story of a young wizard discovering more and
more of his ability while operating under a heavy doom ties this book closely
to LeGuin’s. Sharing the appeal factors of Fantasy
fiction, World-building, Suspenseful, and Compelling the plot of Rowling’s book
weaves tragedy, self-discovery, and action/adventure around a core of magical
spells, creatures, and schoolmasters not unlike LeGuin’s 9 Masters of Roke and
the Archmage.
Nonfiction
Read-Alike:
Merlin: the Prophet and his History by Geoffrey Ashe
Ashe’s book
delves into the magical stories of the medieval world, cataloging and
organizing folklore about Merlin, the Arthurian wizard. The book also follows the thread of the real
life of Myrddin Emrys, the Welsh prophet, upon whom many of the stories of
Merlin seem to be based. This
anthropological work, though concerned with facts and myths from an objective
outside view, promises to open up another world of thought and history much
like Fantasy does in the fiction realm.
Work
Cited:
Saricks, J. (2009). The Readers'
Advisory Guide to Genre Fiction. Chicago, IL: American Library Association.
Craig,
ReplyDeleteThe Wizard of Earthsea sounds like it has many of the fantasy elements. A 2018 Horn Book review by Eleanor Cameron raved The Wizard of Earthsea and gave it such high praise that the work was more at the level of English writers than American writers. Also, Cameron classified the novel as "High Fantasy" and offered a test, "as I believe, the tests of high fantasy (and certainly of any outstanding piece of fiction) lie in strength and cleanness of structure, the overwhelming sense of reality, the pervading sense of place, the communication of the visual perceptiveness of the writer, exactness of detail, the originality and discipline with which materials are handled, excellence of style, richness of character portrayal and depth of vision, then I can say with assurance that A Wizard of Earthsea is indeed high fantasy," (https://www.hbook.com/2018/01/choosing-books/horn-book-magazine/high-fantasy-wizard-earthsea/#_). The interesting assessment is that the author has taken "absolutely seriously" the world and people that he has created. I'm intrigued, now, to read more fantasy novels to compare them to the "high Fantasy" standards.
Thank you.
Yes, I think we often think of "suspension of disbelief" with Fantasy, but your descriptions of High Fantasy sound like something Tolkien said about the world being fully-created enough to just engender belief ... no suspension of anything involved.
DeleteI love your appeal terms. Especially: flawed, introspective, and atmospheric. They intrigued me and made me want to read the plot summary more so than before. I would like to know if the books is more dialogue based or focuses on scenery. I’ve noticed in many of the fantasy books I have read, they focus more on detailed descriptions and scenery rather than dialogue. Which is something that I tend to get bored of and prefer the quicker pacing of dialogue. I like how you included a nonfiction read-alike. I think that would be very interesting to those who enjoy fantasy novels as a whole.
ReplyDeleteYes, the main character is no "Mary Sue/Larry Stu" in my opinion, which does add some non-Landscape dynamism to the novel. I'm not sure if there's enough dialogue for you, but as a major nerd =) I say give it a try!
DeleteI would put it on a Classic level, yes, as I would Tolkien and Rowling, but mainly because of the author's long and prolific career, not necessarily because of the merits of the novel itself.
ReplyDeleteAnother great annotation, this one has been on my tbr list for forever. Did you enjoy it and would you continue the series? Great appeals, summary and readalikes. Full points!
ReplyDelete